The story of the event is told in two different ways. Hating disco was just the start.Īnd there are wider implications, too. And while rock music still did big business, its slow dissolution into the subgenre factionalism that dominated the ’80s was the first sign that a generation that came of age amidst the debris of Disco Demolition Night found its rebellion in pettier scale: not through rock as a mass movement focused primarily against the stifling mores of their parents’ generation, but as a tribal rite meant to wall off outsiders one’s own age. So even if the heshers and the punks agreed to hate disco, they also agreed to hate each other, too. Meanwhile, all the countercultural charge of rock ‘n’ roll was being siphoned off into new, underground-rooted strains - punk rock, then new wave - that were intent on knocking all the old dinosaurs down. The future of rock in the Top 40 sounded a lot like Foreigner, Styx, and REO Speedwagon - stuff that was too micromanaged and slick to feel rebellious, much less dangerous. Sure, the New Wave Of British Heavy Metal was surging, but the likes of Judas Priest and Motörhead hadn’t yet caught on in the States. Even less dirtbag-adjacent releases like Wings’ Back To The Egg and Fleetwood Mac’s Tusk just confounded people. Even the hot-selling blockbuster successes felt off: Led Zeppelin had art-rock synthesizers all over the divisive In Through The Out Door, and even if Pink Floyd’s The Wall was a huge smash, it wasn’t exactly kickass feel-good hard rock. But many of the decade’s other hard rock and AOR warhorses - Black Sabbath, Aerosmith, Ted Nugent, Peter Frampton, Blue Öyster Cult - were struggling to even keep it together. Sure, there were great albums that year - Neil Young, Van Halen, Tom Petty & The Heartbreakers, Thin Lizzy, Cheap Trick, and AC/DC all dropped classics. And his new station WLUP’s publicity stunt to blow up a bunch of disco records in the middle of Comiskey Park during a baseball doubleheader was all the excuse an already anxious, recession-choked record industry needed to downsize their tulip-fever investment in a genre they didn’t realize was just slightly more divisive, niche, and under-lucrative than they’d anticipated.īut the other death was that of mainstream rock ‘n’ roll. Disco itself was one of them, of course: Chicago radio DJ Steve Dahl, infuriated that his still-young shock-jock career was derailed when WDAI changed format from rock to disco and shitcanned him in the process, waged war on the genre. Ready to find the inspiration you need to get dancing? Read on for 23 of our favorite wedding dance floor ideas.Disco Demolition Night, which happened 40 years ago today, is the day two genres were marked for death. And from striped and checkered patterns to lettering on the floor, not to mention sky-high ceiling decorations to bring it all together, there’s a beautiful dance floor décor idea that will perfectly fit your overall aesthetic. Whether you utilize an existing space and dress it up with gorgeous lighting and décor, or you bring in a custom dance floor to really make your venue space your own, the options are endless. The beauty of choosing your dance floor set-up is that it’s all up to you. Plus, you and your partner will get to share your first dance as a married couple in a lovely setting. A dance floor creates a welcoming space for guests to feel comfortable letting loose to their favorite song. To be sure you’re putting your best foot forward, you may choose to have a dance floor at your wedding. Once your vows have been said and dinner has been enjoyed, it’s time to dance! And for many couples, especially those who love to kick up their feet, this is the highlight of their celebration.
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